By Kate Chopin
OVERVIEW: Chopin's major work, a novel, was published in 1899. Since she was well-established as a national writer of note, it was reviewed by all major national critics, who universally condemned it as "shocking" and "immoral." It is the story of a young matron's gradual awakening to her own sexual and individual "being," and longing for an independence that society would not permit her.
The youngest boy, Etienne, had been very naughty, Madame Ratignolle said, as she delivered him into the hands of his mother. He had been unwilling to go to bed and had made a scene; whereupon she had taken charge of him and pacified him as well as she could. Raoul had been in bed and asleep for two hours.
The youngster was in his long white nightgown, that kept tripping him up as Madame Ratignolle led him along by the hand. With the other chubby fist he rubbed his eyes, which were heavy with sleep and ill humor. Edna took him in her arms, and seating herself in the rocker, began to coddle and caress him, calling him all manner of tender names, soothing him to sleep.
It was not more than nine o'clock. No one had yet gone to bed but the children.
Leonce had been very uneasy at first, Madame Ratignolle said, and had wanted to start at once for the Cheniere. But Monsieur Farival had assured him that his wife was only overcome with sleep and fatigue, that Tonie would bring her safely back later in the day; and he had thus been dissuaded from crossing the bay. He had gone over to Klein's, looking up some cotton broker whom he wished to see in regard to securities, exchanges, stocks, bonds, or something of the sort, Madame Ratignolle did not remember what. He said he would not remain away late. She herself was suffering from heat and oppression, she said. She carried a bottle of salts and a large fan. She would not consent to remain with Edna, for Monsieur Ratignolle was alone, and he detested above all things to be left alone.
When Etienne had fallen asleep Edna bore him into the back room, and Robert went and lifted the mosquito bar that she might lay the child comfortably in his bed. The quadroon had vanished. When they emerged from the cottage Robert bade Edna good-night.
"Do you know we have been together the whole livelong day, Robert—since early this morning?" she said at parting.
"All but the hundred years when you were sleeping. Goodnight."
He pressed her hand and went away in the direction of the beach. He did not join any of the others, but walked alone toward the Gulf.
Edna stayed outside, awaiting her husband's return. She had no desire to sleep or to retire; nor did she feel like going over to sit with the Ratignolles, or to join Madame Lebrun and a group whose animated voices reached her as they sat in conversation before the house. She let her mind wander back over her stay at Grand Isle; and she tried to discover wherein this summer had been different from any and every other summer of her life. She could only realize that she herself—her present self—was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored and changed her environment, she did not yet suspect.
She wondered why Robert had gone away and left her. It did not occur to her to think he might have grown tired of being with her the livelong day. She was not tired, and she felt that he was not. She regretted that he had gone. It was so much more natural to have him stay when he was not absolutely required to leave her.
As Edna waited for her husband she sang low a little song that Robert had sung as they crossed the bay. It began with "Ah! Si tu savais," and every verse ended with "si tu savais."
Robert's voice was not pretentious. It was musical and true. The voice, the notes, the whole refrain haunted her memory.