The Atchafalaya is a mysterious land, as much underwater as above. Its lush environment is home to alligators, egrets, black bears – and for a time two people who yearned for a simple, natural life. Atchafalaya Houseboat shares the experiences of Gwen Roland and her companion Calvin Voisin, who left civilization in the turmoil of the early 1970s for the unspoiled beauty of the nation’s largest river swamp, Louisiana’s Atchafalaya Basin.
Along their journey, they befriended photographer C.C. Lockwood, who shared their love of the basin’s endangered beauty. Lockwood’s stunning photographs of the Atchafalaya, featuring Gwen and Calvin, were published in National Geographic magazine. Nearly 30 years later, one of Lockwood’s photographs was featured in a National Geographic collector’s edition, renewing interest in their unique experiences.
Discover what drew Gwen and Calvin into the Atchafalaya Basin’s breathtaking beauty and see Lockwood’s stunning photographs of the couple in this natural wilderness.
Atchafalaya Houseboat is produced by Christina Melton who has been recognized with several of the television documentary world’s top awards, including an Emmy Award, the Alfred I. Dupont-Columbia Award for Excellence in Journalism, the Edward R. Murrow Award, and the International CINE Golden Eagle among others.
More from Gwen
Readers of my book Atchafalaya Houseboat know that when Calvin and I lived in the swamp, much of our time was spent gathering, growing and preserving food. When asked to name our favorite meal, I always say it was whatever we were eating that day.
We enjoyed the bounty of each season whether it was crawfish in the spring, blue crabs in summer or wild game from our hunting friends in winter, but year round our most common main course was crispy fried catfish. We could catch them in hoop nets or on lines most any season, and we never got tired of them. Sometimes we cooked them for both dinner and supper. The fact that we survived all that grease is a testament to hard work and youthful metabolism.
Calvin was the catfish cook. I wouldn’t think of usurping that responsibility with a perfectionist in the house. He would usually start cleaning them as we drifted downstream toward home from our lines or nets. Choosing the smallest fish in the catch, he would make a slit on each side of the head below the barbs. Four swift passes with the fish skinners peeled off the blue hide as quick as most people peel a banana. Holding the head in one hand, he twisted the body with his other hand, cleanly separating the head and most of the entrails from the rest of the carcass. A slice down the stomach and a rinse in the river finished off the job. From start to finish, less than two minutes per small fish, maybe three minutes for a large one.
Back home he had a black iron pot reserved for frying fish. He would half fill it with oil and set it to heat on an outside fire or on the kitchen stove while he prepared the fish. First he made three diagonal slits on both sides of each fish, cutting almost to the bone. A sprinkle of hot sauce, salt, pepper and sometimes garlic powder was rubbed on each side and down into the slits. Then came a dusting of cornmeal. When the grease was hot enough to ignite a match thrown into the pot, the fish were dropped in, leaving plenty of room so they weren’t crowded. The oil boiled up, crisping the cornmeal coating on the outside of the fish, along the fins and in between the slits. At exactly the right time, he flipped them over with a long handled fork to brown on the other side. The result looked like a deep golden cornmeal cast of a fish. The inside was moist, white, flaking off the bone. We ate them tail first, crunching the fins like potato chips. Most often they were accompanied by white beans cooked all day on the woodstove, fresh mustard greens in season, and, of course, our homemade ketchup. Gwen gathering tomatoes.
We cooked our first batch of ketchup in a blue granite dishpan the year we lived on Bloody Bayou. That was before the 1973 flood destroyed the old house on the bank. Overrun with tomatoes, we kept fooling around with some basic ketchup recipes until we came up with a version that suited our tastes. It had brown sugar, bell pepper and more cinnamon and cloves than the cookbook recipes. Every season after that, we tinkered with the ingredients so that no two years tasted exactly the same, but brown sugar, bell pepper, extra cinnamon and cloves remained in the mix.
In the film based on my book, I make a brief comment about our ketchup. As more people see the film, more requests come in for the recipe. I’ve written it down for a quart of chopped tomatoes, which makes 1 to 2 cups of ketchup in less than an hour, depending on what kind of tomatoes you are using, whether you sieve it or not and how thick you cook it down.
If you have plenty of extra tomatoes, ketchup is inexpensive and easy to make for your own meals or for gifts. The biggest problem is that once your friends and family get accustomed to ketchup that caters to their own preferences for sweetness, tartness, or spiciness, they will complain loudly if you let them run out. In that case, just hand them the recipe and give them your next batch of extra tomatoes.
Better Than Bought Ketchup
(makes about one cup)
1 quart cored and chopped tomatoes, unpeeled
1 cup chopped onion
½ cup chopped sweet pepper such as bell pepper or banana pepper
1 clove of garlic
½ tsp celery seed *
¼ tsp whole allspice *
¼ tsp mustard seed *
1/3 cup light brown sugar, more if you like sweeter ketchup
½ tsp. salt
¾ tsp paprika
¼ tsp. cinnamon
1/8 tsp. ground cayenne pepper
1/8 tsp. ground cloves
1/3 cup apple cider vinegar
Stir the chopped tomatoes, onion, peppers and garlic in a non-reactive pot over high heat until they start to boil. Tie allspice, mustard seed and celery seed together in a bit of cheesecloth or other thin cloth to make a bouquet. Drop the bouquet into the pot of vegetables, reduce heat and simmer, covered, until soft, about 20 minutes.
Mash the vegetables through a sieve if you want smooth ketchup. Calvin and I made such large quantities we didn’t bother with sieving, but these days I push the soft vegetables through a cone-shaped fruit sieve with a wooden mallet. A colander with small holes will also work. Sometimes, before sieving the softened vegetables, I whiz through them with a hand-held blender in order to extract more pulp. There’s a lot of room for individuality in ketchup making.
Return the sieved vegetables and bundle of whole spices to the pot. Add the sugar, salt the remaining spices and vinegar. Bring to a boil on high heat, uncovered, then reduce to medium heat. It will scorch faster than a hen can snatch a fly, so don’t wander off. Some recipes say to cook on low heat at this stage, but I prefer medium for a quicker cook off and brighter flavor. Stand there and stir it until it is almost as thick as you like it, about 25 minutes. It will thicken more as it cools.
Pour into a clean glass container with a lid. It will keep months in the refrigerator but if you make large quantities, process jars in boiling water for 15 minutes.
* If you will be pressing through a very fine sieve, skip the cheesecloth and just add the seeds to the vegetable mix
Multiply amounts depending on how many tomatoes you have. Larger quantities require longer cooking time. An uncovered crockpot can be used to reduce the liquid for larger amounts. Adjust seasonings and sugar to your own taste.
PRODUCED, DIRECTED, WRITTEN AND EDITED BY
Christina Hendrick Melton
DIRECTOR OF PHOTOGRAPHY AND CHIEF EDITOR
Rex Q. Fortenberry
PHOTOGRAPHER AND EDITOR
Keith Crews
FEATURING STILL PHOTOGRAPHY BY
C.C. Lockwood
MUSICAL SCORE
Mike Esneault
ADDITIONAL PHOTOGRAPHS BY
Calvin Voisin
Gwen Roland
PHOTO RESTORATION AND MANIPULATION
Mark Carroll
Ashley Landry
Garry Allen
PRODUCTION MANAGER
Ken Miller
ENGINEERING MANAGER
Chris Miranda
SPECIAL THANKS
Alligator Bayou Tours in Prairieville, Louisiana
Frank Bonifay and Jim Ragland
Roger Tilley, Louisiana State Archives
Gwen and Preston Roland
Calvin Voisin and Kathy Boyd
Orney and Betty Hebert
ARCHIVAL PHOTOGRAPHS AND VIDEO
Standard Oil (New Jersey), Collection, Special Collections, University of Louisville
Louisiana state Archives
National Geographic Magazine
The Library of Congress
The U.S. Army Corps of Engineers (more on the Atchafalaya Basin)
Hill Memorial Library Special Collection at Louisiana State University
LPB EXECUTIVE PRODUCER
Clay Fourrier
LPB PRESIDENT AND CEO
Beth Courtney
COPYRIGHT LOUISIANA EDUCATIONAL TELEVISION AUTHORITY 2007
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